Home is where the heart is .Discuss in relationship to the oceanfarer. This is an interesting conception to apply to The diddlyshit, whose narrator seems to feel a sense of be whilst travelling the sea despite the fact that he is obviously disillusioned with its rigors .The main character undergoes a trans realiseation in what he considers home and this dramatically affects his livelihood and lifestyle. Towards the end of The trap the poet forces us to consider our mortality, and seems to push the nonion that life is exclusively a journey and that we will not truly be at home until we are with God . The beginning(a) fount of a sense of home in this poem comes with the rendering of the power life of the narrator in his pre-seafaring days. He leaves his gray-haired life for some unspecified reason, telling us that he was newspaper clipping off from his kinsmen, and he talks about this with a decisive sense of regret and loss. Winter on the sea is presented as an exi le or wræcan1 , a form of punishment where someone is forced to leave their home farming, the perpetrate where they belong. It seems that in the primordial stages of the poem the seafarer identifies his life with his kinsmen on land as his home, the site that he belongs.
At first he does not seem content with his seafaring life. During the early descriptions of his time there, it is painted as a life of hardship and penance. Images and adjectives of the sea and life there are harsh and foreboding- frappe frozen, hung round with icicles , fettered with frost. The sea is seen as cold, and not just in the physical sense .It is remote, a place of despair , an! earthly purgatory, where there is always... If you want to withdraw a full essay, order it on our website: BestEssayCheap.com
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