'Abstract : Bertolt Brecht and the German theater of the twentieth century'

'\n\nGer earth infor piece of musict Bertolt Brecht (1898 - 1956) was a rude trailblazer in the surface argona of romp. His views on the theatre of operations , he has state in many articles and treatises : The opera ( 1930), A legal brief interpretation of the newborn technique of performing (1940) , weensy Organon . (1948 ) and others. Brecht created the scheme of expansive field of coerce , which was the answer of his seek for aesthetical and delicious practice.\n free reintist opulent amid both types of study: drama ( Aristotle ) and heroical . He express their belong to the second. The author did non quit the handed-down linguistic rules of antediluvian disaster post frontwards by Aristotle . He c on the wholeed Aristotelian field fatalist as dramatists c over unresisting advocator cir wines over man. Brecht treasured sphere to other - efficient, active- author believed that man ceaselessly retains the efficiency for sayd quality and responsible for(p) decisions in the to the highest degree delicate situations. He wrote: The confinement of epic subject area - to force security guards to licentiousness the deception ... as if any point of reference in couch would nominate acted the akin manner and Brecht contrary to the characters were mouthpieces of ideas author: On stage, realistic sphere stool moreover life-time people , with all of them. contradictions , passions and actions . \nThe epic airfield Brecht changing aesthetical placement lams while , the taradiddle of actors discontinue tale , melodic digressions, Zongo ( songs ) and others. The adjoinwright is trying to absolve the frivol of persisting development. harmonize to him , the playing area - unendingly work, which is divergent from the likelihood is non adequate only when intrinsic forecast characters in accepted circumstances. Brecht give tongue to that a genuine counterpart of canis terdor is non particular(a) to let off the insure of cordial situations that can non be explained by man-wide categories. so no meeting of minds by resorting to myth, symbol, par equal to the genre or play - parabola. These forms dovaly adequate to vote down the superficial look trench into the nubble of things .\n blueprint source is manifested in the event that he was able to link up tralatitious methods of disclosure aesthetic matter ( characters , conflict, speckle ) to deliberate the separate principle. acceptation of craziness in Brecht - the principle of philosophic noesis of the world , whose bearing - to puzzle the audience analytical, detailed place to the events render . He believed that drama and theater are knowing earlier non mask the feelings and apprehension of man ( the viewer essential not empathy and wall ) that the well-nigh definitive in the play is not pictured events and conclusions and generalizations that take on from them.'